What is the question of funding? How did funding impact the institutions’ infrastructures and modes of production? What culture does the donor economy create? Is culture organic and does it represent political power structures? Whose discourse does culture claim to speak for? How did cultural producers turn into employees within this infrastructure? Is there such a thing as unconditional funding? Can we work without funding? How to work together? How do we rethink our definition of funding? What models of funding exist in society? Is funded work better than unfunded work? What can civil society do to become independent? Does being dependent on the community make one independent? Are we in a position to deconstruct the meaning of "culture" or an alternative culture? What can we do as a small collective in the context of documenta fifteen? How can we become hosts when we are also guests? How do we harvest the questions, stories, and ideas that emerge from within us? How do we tell the story of a collective from Gaza? What do we learn from existing models of collectivity and artistic work? Whose stories are we telling and to whom? How do we create a supplementary economy? Is funding just about money? How do we nurture the trust circles in our community? What questions should we ask?